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December 9th, 2008 | How To Make Sausage

Absolute bliss....

December 7th, 2008 | Forqueray

November 16th, 2008 | Palin Originals

"My concern has been the atrocities there in Darfur and the relevance to me with that issue as we spoke about Africa and some of the countries there that were kind of the people succumbing to the dictators and the corruption of some collapsed governments on the continent, the relevance was Alaska’s investment in Darfur with some of our permanent fund dollars."

November 13th, 2008 | Reverend Gary Davis

Reverend Gary Davis

October 16th, 2008 | Busta

Busta Rhymes says, "Don't Touch Me" now...

October 4th, 2008 | Monteverdi's L'Orfeo

Music has caped crusaders, too....

rnrnThe opening of Monteverdi's opera L'Orfeo, conducted by Jordi Savall.

September 27th, 2008 | Taming Trauma

From Adorno's essay "Commitment":

There is something embarrassing in[Arnold] Schoenberg's composition [A Survivor from Warsaw—not what arouses anger in Germany, the fact that it prevents people from repressing from memory what they at all costs want to repress—but the way in which, by turning suffering into images, harsh and uncompromising though they are, it wounds the shame we feel in the presence of the victims. For these victims are used to create something, works of art, that are thrown to the consumption of the world which destroyed them. The so-called artistic representation of the sheer physical pain of people beaten to the ground by rifle-butts contains, however remotely, the power to elicit enjoyment out of it. The moral of this art, not to forget for a single instant, slithers into the abyss of its opposite... [This effect] makes an unthinkable fate appear to have had some meaning; it is transfigured, something of its horror is removed. This alone does an injustice to the victims; yet no art which tried to evade them could confront the claims of justice. Even the sound of despair pays its tribute to a hideous affirmation. Works of less than the highest rank are also willingly absorbed as contributions to clearing up the past. When genocide becomes part of the cultural heritage in the themes of committed literature, it becomes easier to continue to play along with the culture which gave birth to murder.

September 24th, 2008 | More Kraus

To the Bourgeois

That in gloom some are despairing
so that sun be yours alone;
that your burdens they are bearing
in addition to their own;
that their nights your days would earn you,
that their chains your freedom built—
that his never did concern you,
who can rid you of that guilt?

—Karl Kraus

September 24th, 2008 | A few aphorisms by Karl Kraus

"Love and art embrace not what is beautiful but what by that embrace becomes beautiful"

Why is it that so many people find fault with me? Because they praise me and I find fault with them nevertheless."

"I hear noises which others don't hear and which disturb for me the music of the spheres, which others don't hear either."

"I master only the language of others. Mine does with me what it will."

"The closer one looks at a word, the farther away it moves."

"The most dangerous writers are those whom a good memory relieves of all responsibility. They cannot help having things come flying to them. I would prefer an honest plagiarist."

September 21st, 2008 | Sublimation

From an editorial by Nick Kristof on Obama and his religion:

What is happening, I think, is this: religious prejudice is becoming a proxy for racial prejudice. In public at least, it’s not acceptable to express reservations about a candidate’s skin color, so discomfort about race is sublimated into concerns about whether Mr. Obama is sufficiently Christian.

The result is this campaign to “otherize” Mr. Obama. Nobody needs to point out that he is black, but there’s a persistent effort to exaggerate other differences, to de-Americanize him.

Raising doubts about a candidate based on the religion of his grandfather is toxic and profoundly un-American, cracking the melting pot we emerged from. Someday people will look back at the innuendoes about Mr. Obama with the same disgust with which we regard the smears of Al Smith as a Catholic candidate in 1928.

Old News from meltsintoair.net

The idea [returning to alaya consciousness] is that there is a resting place of some kind, which could be called primitive shamatha. There is a starting point, a returning point. [...] You don't have to run away from yourself all the time in order to get something outside. You can just come home and relax. The idea is to return to home-sweet-home. [...] We could describe this process with the analogy of the film projector. We have the screen, the phenomenal world; then we project ourselves onto that phenomenal world; and we have the film, which is the fickleness of mind, constantly changing frames. So we have a moving object projected onto the screen. That moving object is mechanically produced by the machinery of the projector which has lots of teeth to catch the film and mechanical devices to make sure that the projection is continuous -- which is precisely the same situation as the sense organs. We look and we listen, therefore when we listen, we look. We connect things together by means of time, although things are shifting completely every moment. And behind the whole thing is the bulb, which projects everything onto the screen. That bulb is the cause of the whole thing. So resting in the nature of alaya is like resting in the nature of that bulb, which is behind the machinery of thefilm projector. Like the bulb, alaya is brilliant and shining. the bulb does not give in to the fickleness of the rest of the machine. It has no concern with how the screen is coming along or how the image is coming through.

--Chogyam Trungpa, Training the Mind and Cultivating Loving-Kindness


Last Updated: 01 September

Flaubert Enters and Exits Boxes ---------------------------------

Episode 1: Piano Bench Box
Episode 2: Green Mountain Coffee Box
Episode 3: Air Conditioner Box
Episode 4: Zara Box (sack)

Fantasy Baseball League

Recent Reading--------------------------------------------

A Singular Modernity: An Essay on the Ontology of the Present — Fredric Jameson
Being and Time — Martin Heidegger

Recent Recommended Listening--------------------

Noir de l'etoile — Gerard Grisey
Orchestra Baobab — Made in Dakar
Recent Recommended Film---------------------------

No Country for Old Men (Cohen Bros.)
Shadows of Forgotten Ancestors (Paradjanov)
Helvetica
Enron: The Smartest Guys In The Room (Gibney)
The Great Dictator (Chaplin)
Wheel of Time (Herzog)
Fallen Angels (Wong Kar Wai)
Half Nelson (Fleck)
The Departed (Scorsese)
Miller's Crossing (Cohen Bros.)
That Obscure Object of Desire(Brunuel)
Batman Begins
Duck Soup (Marx Bros.)
Horse Feathers (Marx Bros.)
The General (B. Keaton)
The Holy Girl (Lucrecia Martel)

Miscellany-------------------------------------------------

Arts & Letters Daily :: Cultural Miscellaney
Harper's Index :: Monthly statistical enlightenment
Harper's Weekly Review :: The week in a nutshell
Lectures on Marx's Capital by David Harvey Dharma Talks by Rodney Smith
Sierra Club - Daily Scoop :: Daily environmental news
The Rest Is Noise :: Alex Ross's (New Yorker blog
Treehugger :: environmental news
Marxists.org :: Works by Marx, Hegel, and more
The World In Time :: Lewis Lapham Audio
Baseball scorecard :: Keep Score
Robert ParkeHarrison :: The Architect's Brother


All content, photographs, and writing © 2008 meltsintoair.net E-mail: robert "at" meltsintoair "dot" net